[Progressive House] The One and Only Eric Prydz, Beyond Genre Boundaries
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This time I introduce Swedish Progressive House heavyweight Eric Prydz (Pryda, Cirez D, Tonja Holma).
Commercial Electro House at His Major Debut
Almost anyone who has listened to electronic dance music for years, or regularly attends club events at home and abroad or overseas festivals, probably knows him.
He began standing out in the early 2000s, scoring hits with 2004's “Call On Me” and his collaboration with childhood friend and top EDM artist Steve Angello, “Woz Not Woz.” He established a unique position with “Pjianoo,” which he still includes in his sets today.
Call On Me
Eric Prydz & Steve Angello – Woz Not Woz
Pjanoo
*The YouTube video for Call On Me above is provided by major EDM label Spinnin’Records, but at the time of release it was distributed by Data Records, the commercial sound label under major UK club Ministry of Sound.
When Call On Me and Woz Not Woz were released, they were heavily played on the main floors of Roppongi clubs. I still remember hearing them at Flower, now Six Tokyo. Eric's style at that time occupied the commercial Electro House position.
A Transcendent Presence: “Genre: Eric Prydz” Is Hardly an Exaggeration
Eric currently plays Progressive House and Techno, but since many of his gigs consist mostly of his own tracks, even categorizing him by genre seems inappropriate.
Speaking of Techno, Eric also uses the alias Cirez D and owns the techno label Mouseville. At Belgium's TOMORROWLAND in 2017, one of the world's largest festivals, he played Adam Beyer's Drumcode stage. Conversely, on Eric's own PRYDA stage, Adam played too.
Eric Prydz receives support from DJs, artists, and fans across EDM, Trance, House, Techno and other broad areas.
Support is particularly strong among Trance artists. In 2016, he appeared at Armin van Buuren's A State of Trance 750 Miami (UMF 2016) with his friend Deadmau5. In 2017, he also appeared at an event hosted by Above&Beyond at Miami's RC Cola Plant.
Another characteristic is the existence of many unreleased remixes. In recent sets, Armin has frequently played the work that has become synonymous with Eric, Opus in its GMS Rework version. There is also a remix by Trance heavyweight duo PureNRG. There even appears to be a version by Helsinki's Philharmonic Orchestra.
Opus
Opus (G.M.S rework) [#ASOT804]
Opus (Pure NRG Remix)
Released around the same time, “Generate” also received many remixes.
Generate
Generate (Talla 2XLC vs. Cold Blue Uplifting Rework)
Generate (Kölsch Remix)
*I often played Kölsch's version myself.
At UMF Japan's Resistance stage in 2015, Nic Fanciulli played it at a beautiful sunset moment, creating a truly beautiful scene.
New Alias Tonja Holma and Tech House
In November 2017, he released four tracks on Pryda Recordings under the new alias Tonja Holma.
TRIPPLETON
SPANISH DELIGHT
LOCO
GLOBAL
As noted in DJ Mag's article “ERIC PRYDZ’S DEBUT EP AS TONJA HOLMA HAS LANDED: LISTEN,” it strongly evokes a sound like Cristoph.
This is purely my personal view, but with the recent growth of Techno and tech house in Europe, I think Eric may strengthen those sounds from 2018 onward too.
That can also be seen in the lineups featured at 2017's TOMORROWLAND PRYDA stage, his residency at Hï Ibiza, and Epic Radio.
Epic5.0
He hosts his own in-house festival, “Epic.”
It features a grand artistic world and holograms employing the latest technology.
Other Notes
The Originator of Real Progressive
Eric Prydz's distinctive Progressive sound influenced many subsequent track producers, notably Grum, Fehrplay, Capa, Luke Chable in the 2010s. The Progressive label Zerothree Music defines these sounds with the term “Real Progressive.”
Inspired by Rock Legends Too
Depeche Mode, Kraftwerk, Iron Maiden, Def Leppard are his favorites.
(He also likes Chemical Brothers and Pink Floyd.)
Fear of Flying
He currently lives in Los Angeles, USA, and is known for his fear of flying. For his first DJ appearance in Ibiza, he traveled for two and a half days by train and boat and arrived late.
More recently, at TOMORROWLAND in 2017, he was stranded for over two hours due to a railway incident involving a person on his journey from Paris and was late for the main stage. Apparently he then sped from the station to the venue by car with a police escort, haha.
In Ibiza, John Digweed, probably scheduled to play after him, reportedly gave up an extra hour of his slot. At TOMORROWLAND, Afrojack played until Eric arrived, probably for around 20 minutes.
In Asia, he has only performed gigs in India. He has never visited Japan, and we probably cannot expect him to do so in the future.
Basically, His Performances Are Only Available in Person
His artist and label accounts almost never upload videos of DJ gigs or livestream them, although organizers such as Ultra Music Festival and TOMORROWLAND sometimes do.
His Sets Are Mostly His Own Tracks
He mainly plays his own new tracks, which gives that strong impression, but looking across his gigs overall shows he occasionally mixes in tracks by other artists too.
-
- Agents Of Time – Magma
- KiNK – Cloud Generator
- Miguel Bastida – Ecos (Tim Engelhardt Remix)
- Bedrock – Heaven Scent (M.O.D.E Remix)
- Roberto Capuano – Maison
- Jerome Isma-Ae – Smile When You Kill Me (Blake Jarrell Remix)
- Orkidea – Nana (Jerome Isma-Ae Remix)
His Friend Is Deadmau5
Deadmau5 is an artist with a similar musical direction and a friend. They often play back-to-back at TOMORROWLAND, Miami events, and elsewhere.
He and John Digweed Respect Each Other
His all-time favorite DJ is John Digweed.
Reference Sites
- “ERIC PRYDZ: FROM EPIC TO THE ISLAND”
- “10 Things We Learned From Eric Prydz’s Reddit AMA (This link was unavailable when checked in October 2026.)”


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